C.R.A.Z.Y. (2005)

Original Title : C.R.A.Z.Y.
Director : Jean-Marc Vallée
Writer : François Boulay
Jean-Marc Vallée
Genre : Comedy
Country : Canada
Language : French
Producer : Jacques Blain , Pierre Even , Nicole Hilaréguy , Richard Speer , Jean-Marc Vallée
Music : David Bowie
Photography : Pierre Mignot
Distributor : A-Film Distribution
IMDB ID : 0401085
Official site :
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poster for "C.R.A.Z.Y." by Jean-Marc Vallée (2005)
C.R.A.Z.Y. (2005) - Jean-Marc Vallée


Michel Côté Gervais Beaulieu
Marc-André Grondin Zachary Beaulieu 15 à 21 ans
Danielle Proulx Laurianne Beaulieu
Émile Vallée Zachary Beaulieu 6 à 8 ans
Pierre-Luc Brillant Raymond Beaulieu 22 à 28 ans
Maxime Tremblay Christian Beaulieu 24 à 30 ans
Alex Gravel Antoine Beaulieu 21 à 27 ans
Natasha Thompson Michelle 15 à 22 ans
Johanne Lebrun Doris
Mariloup Wolfe Brigitte 15 à 20 ans
Francis Ducharme Paul
Hélène Grégoire Madame Chose
Michel Laperrière Psychothérapeute
Jean-Louis Roux Prêtre
Mohamed Majd Bédouin
Claude Gagnon Narrateur
Jean-Alexandre Létourneau Christian Beaulieu 15 à 17 ans
Sébastien Blouin Antoine Beaulieu 12 à 14 ans
Félix-Antoine Despatie Yvan Beaulieu 13 à 16 ans
Gabriel Lalancette Yvan Beaulieu 8 à 9 ans
Denis Trudel Oncle Georges
Paule Ducharme Tante Diane
Aline Hooper Grand-mère Angèle
Isabelle Page Tante Monique
Christian Vezina Oncle Lucien
Anik Vermette Corinne
Marie-Yong Godbout-Turgeon Min
Aziz Attab Vendeur kiosque de cartes postales
Philippe Muller Jeune étranger
Jérôme Aubin Jérôme
Jean-Marc Vallée Jeune prêtre
Marie-Michelle Duchesne Michelle 6 à 8 ans
Alexandre Ayotte Thomas
Mathieu Pelletier Étudiant costaud
Élizabeth Adam Brigitte 6 ans
Emmanuel Raymond Raymond Beaulieu 7 ans
Charles-Édouard Tanguay Chistian Beaulieu 9 ans
Émile Gagnon-Girard Antoine Beaulieu 6 ans
Olivier Benard Bébé Zachary naissant
David Vaillant Bébé Yvan 7 mois à 1 an
Hugo Vaillant Bébé Yvan 7 mois à 1 an
Alexandre Marchand Bébé Yvan 3 mois
Nikita Jaksi Bébé Yvan naissant
Yves Perreault DJ
Jonathan Collins Emilio
Antoine Côté-Potvin Raymond Beaulieu 13 à 15 ans


It's a story of two love affairs. A father's love for his five sons. And one son's love for his father, a love so strong it compels him to live a lie. That son is Zac Beaulieu, born on the 25th of December 1960, different from all his brothers, but desperate to fit in. During the next 20 years, life takes Zac on a surprising and unexpected journey that ultimately leads him to accept his true nature and, even more importantly, leads his father to love him for who he really is. A mystical fable about a modern-day Christ-like figure, "C.R.A.Z.Y" exudes the beauty, the poetry and the madness of the human spirit in all its contradictions.


I',m In Love With C.R.A.Z.Y.!, 21 May 2006 Author: el-mno-p from Newcastle, England I wasn',t really sure what to expect of this film, because the majority of what I',d read concerned the distribution issues in the US relating to its soundtrack full of copyrighted songs. I now see why the filmmakers can',t remove those songs, and I also see why so many people are desperate to see it released, because everyone deserves to see this film.It',s all about a devout Christian husband and wife in Quebec who have five sons: Christian, Raymond, Antoine, Zachary (j',adore!) and Yvan. They',re like a male French Canadian version of the Spice Girls: as Zachary relates to us early in the film, we have Brainy (Christian), Druggy (Raymond), Sporty (Antoine), Fairy (Zachary), and Fatty (Yvan). The story begins with the birth of Zachary in the early 1960s, the fourth child. He',s born on Christmas Day, and is seen to have been given a gift from God, the power to heal. As we',ll see, he',s certainly destined to be different. His behaviour (dressing up in his mother',s clothes, wetting the bed, taking care of his baby brother) gets him labelled a fag by his older brothers, the kids at school, and even his dad.We watch the boys grow up over the course of three decades. Before Z becomes something of an alien in the family, he is the child most favoured by his parents. His mother, already aware of his gift, dotes on him, and his father is a hero to the young boy, with a great record collection (the entire Patsy Cline back catalogue!), cool shades, and a habit of taking Z for fries without the knowledge of his other sons. However, as we follow the boys into their teens, it',s clear that Z has not been able to shake those early accusations of homosexuality. We see him at 16 in his bedroom, shirtless and with Ziggy Stardust make-up on his face, singing along passionately to ',Space Oddity',. All of a sudden, Antoine bursts into the room and punches Z in the arm, knocking him down and telling him, "stop singing along to that f%#king fag! you',re making us look like a bunch of fairies!", and as the camera pans towards the bedroom window, we see a neighbourhood of children clapping and jeering at Z',s spirited performance. They had been watching the whole thing.Z gets a reputation at school for being queer, and this leads him to rebel, threatening those who call him names, and beating the tar out of a boy who shows some interest in him (and who later involuntarily leads to a major falling out between Z and his father, ending up with Z in therapy so that he can be "cured").Z',s occasional narration at one point stresses that two subjects have become taboo in the family by the time he turns 21, himself and Raymond. R makes a fascinating counterpoint with Z in terms of the relationship to their father. In an early scene, several girls come knocking for Raymond, and his dad proudly exclaims, "our son is a Casanova!" This pride in his son',s macho accomplishments causes him to overlook R',s drug habit until the consequences become almost disastrous for the family. Even then, he deludes himself, believing that R is clean, trying to get his life back in order, and constantly lends him money, despite things continuing to go from bad to worse.On the other hand, Z',s sensitivity is not accepted with nearly the same degree of pride as R',s sexual precociousness, in fact, it isn',t accepted at all. Any accomplishment Z makes is belittled by his father, and when Z',s divine gift is confirmed by a local mystic, his father is extremely skeptical. Things in their relationship improve when Z finds a girlfriend. However, Z',s behaviour deteriorates to the point where he risks becoming like his older brother. His sexual confusion becomes so extreme that it almost results in his death several times, while even a small degree of acceptance from his father may have been enough to resolve any guilt over his true sexuality, and allow mom and dad to concentrate their concern on the *real* problem child -- Raymond.While the theme of self-discovery and personal growth gives the film an extremely strong emotional core, with a cast of thoroughly sympathetic, complete characters (and it seems like an insult to refer to them as just "characters" -- they are living, breathing people, as far as I',m concerned), there is much entertainment to be had in the changing fashions, developing attitudes and shifting cultural focus of the film. Watching the gorgeous Marc-André Grondin (Zachary) going from tight jeans and roller skates to sullen spikes and eyeliner to bronzed globetrotter was a personal highlight! The soundtrack is also an essential component of the film, reflecting Z',s flowering love of popular music, from his days spent in the passenger seat of his dad',s car, listening to Patsy Cline, to imagining a Midnight Mass erupting in a chorus of ',Sympathy for the Devil', by The Stones, getting high to Pink Floyd and downing liquor at the bar of an exotic gay club to early House, it',s the soundtrack to a life spent in search of himself, and because of the power of pop music, we feel like we were there for every tear shed, every punch thrown, every cigarette smoked and every longing stare left to linger.By the end of the film, I was nearly in tears. I',d been through an emotional roller-coaster of a film with characters I',d grown to love, and while the heart-stopping ending might have been responsible for my emotional response, the tears in my eyes were there because, really, I didn',t want such a beautiful movie to end.
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C.R.A.Z.Y. (2005) - Jean-Marc Vallée