Diamonds Are Forever (1971)

"Diamonds Are Forever"...forever...forever...forever...

Original Title : Diamonds Are Forever
Director : Guy Hamilton
Writer : Ian Fleming
Richard Maibaum
Tom Mankiewicz
Genre : Action
Country : UK
Language : English
Producer : Albert R. Broccoli , Harry Saltzman , Stanley Sopel
Music : John Barry
Photography : Ted Moore
Distributor : United Artists Corporation
IMDB ID : 0066995
Official site :
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poster for "Diamonds Are Forever" by Guy Hamilton (1971)
Diamonds Are Forever (1971) - Guy Hamilton


Sean Connery James Bond
Jill St. John Tiffany Case
Charles Gray Ernst Stavro Blofeld
Lana Wood Plenty O'Toole
Jimmy Dean Willard Whyte
Bruce Cabot Albert R. 'Bert' Saxby
Putter Smith Mr. Kidd
Bruce Glover Mr. Wint
Norman Burton Felix Leiter
Joseph Fürst Prof. Dr. Metz (as Joseph Furst
Bernard Lee M
Desmond Llewelyn Q
Leonard Barr Shady Tree
Lois Maxwell Moneypenny
Margaret Lacey Mrs. Whistler
Joe Robinson Peter Franks
David de Keyser Doctor
Laurence Naismith Sir Donald Munger
David Bauer Mr. Slumber
John Abineri Airline Representative (uncredited
Ray Baker Helicopter Pilot (uncredited
Ed Bishop Klaus Hergersheimer (uncredited
Nicky Blair Doorman (uncredited
Larry J. Blake Water Balloon Game Barker-Operator (uncredited
Ed Call Maxie (uncredited
George Lane Cooper SPECTRE Agent (uncredited
Dick Crockett Crane Operator (uncredited
Sammy Davis Jr. Casino Player (uncredited
Catherine Deeney Welfare Worker (uncredited
Gary Dubin Boy (uncredited
Clifford Earl Immigration Officer (uncredited
Mark Elwes Sir Donald's Secretary (uncredited
Brinsley Forde Houseboy (uncredited
Constantine Gregory Aide to Metz (uncredited
Sid Haig Slumber Inc. Attendant (uncredited
David Healy Vandenburg Launch Director (uncredited
Karl Held Agent (uncredited
Bill Hutchinson Moon Crater Controller (uncredited
Janos Kurucz Aide to Metz (uncredited
Lola Larson Bambi (uncredited
Marc Lawrence Slumber Inc. Attendant (uncredited
Debbie Letteau Girl on the Corner (uncredited
Frank Mann Moon Crater Guard (uncredited
Connie Mason Woman at Whyte House (uncredited
Neil McCarthy Guard on Blofeld's left (uncredited
Don Messick Announcer at Circus Circus (uncredited
Burt Metcalfe Maxwell (uncredited
Johnny Miller Gunman (uncredited
Frank Olegario Man in Fez (uncredited
Trina Parks Thumper (uncredited
Denise Perrier Marie (uncredited
Valerie Perrine Shady Tree's Acorn (uncredited
Shane Rimmer Tom (uncredited
Henry Rowland Dr. Tynan (uncredited
Gordon Ruttan Vandenburg Aide (uncredited
Jay Sarno Sideshow Barker (uncredited
Tom Steele W Technologies Gate Guard (uncredited
Michael Valente Slumber Inc. Attendant (uncredited
E.J. 'Tex' Young Craps Dealer (uncredited


After traveling the world in his quest to kill Blofeld, Bond returns triumphant, only to discover a case waiting for him: a large amount of diamonds has been stolen from the South African mines and two offbeat assassins are killing everyone in the smuggling ring one-by-one. Bond goes undercover as Peter Franks, diamond smuggler. What he discovers shocks him: the head of the smuggling ring is none other than Ernst Stavros Blofeld! Now, Bond must resist the wiles of a beautiful smuggler and survive the machinations of Mr. Wint and Mr. Kidd, Blofeld's two best assassins so that he can uncover Blofeld's sinister plot.


"They can stimulate and tease me.", 15 June 2006 Author: Merwyn Grote ( from St. Louis, Missouri You don',t review James Bond movies, you evaluate them, rate them according to how well they meet expectations. There are certain things one has come to expect, even demand of a Bond film and each individual effort either delivers or it doesn',t. So, here are ten elements that make a Bond film a Bond film and how DIAMONDS ARE FOREVER rates on a scale of 1 to 10: Title: DIAMONDS ARE FOREVER: A slight perversion of the once popular ad line used to sell wedding rings, this title suggests romance, but certainly that is the last thing on the film',s agenda. It',s a wonderfully deceptive title. 10 points.Pre-Credit Teaser: Bond "kills" Blofeld, which supposedly seems to tie up major loose ends from ON HER MAJESTY',S SECRET SERVICE. But considering that when last we saw him, Blofeld was murdering James', new bride, such a confrontation should have immense power. An important turning point in the series slips past with no acknowledgment. Though the opening does serve to show that Sean Connery is back and George Lazenby has been released from Bondage. 2 points.Opening Credits: Maurice Binder',s style of opening montage is wearing just a tad old and predictable. Pretty enough with its diamond-studded theme for 4 points, but not good enough to do justice to the: Theme Song: It is said that originally the film was to be a followup to GOLDFINGER, with his brother taking up where Goldfinger left off. That never came off, but certainly "Diamonds are Forever" is a perfect companion piece to the earlier theme song. It, of course, has the fabulous Shirley Bassey doing the vocals again, but it also repeats the cynicism of applying sensuous lust to material wealth. It',s an anti-love song, much like "Diamonds are a Girl',s Best Friend," only it doesn',t hide its hard-edged avarice under a bouncy tune. It is, I think, even better than "Goldfinger," and may be the prefect James Bond song: amoral, stylish and seductive. 10 points "Bond, James Bond": Connery is back, a bit chunkier and a tad grayer, but apparently his extended vacation from the role of 007 paid off. Personally, I think this is his best Bond work as Sean strolls through the film with relaxed charm and a complete understanding that this film, if not the entire series, is a comedy. Bond purists tend to disregard DIAMONDS ARE FOREVER because of its flip attitude, but that is what makes it my favorite. 10 points.Bond Babes: Lana Wood, Natalie',s sister, is on hand as the mandatory eye candy, and is all-too-disposable as Plenty O',Toole. But someone had the bright idea of making the main Bond Girl someone with a flair for comedy. Enter maturing starlet Jill St. John, the epitome of 1960',s cheesy, Playboy sexuality. Whatever her limitations as an actress, St. John certainly had the knack for using her sexuality as an amusing toy and still maintain the edge that she is a lot smarter than she looks. As Tiffany Case, her intelligence seems to diminish as the film wears on (it seems the women Bond beds all end up dead or dumb), but her ability to fill a bikini remains indisputable. 9 points.Bond Villain: Ernst Stavro Blofeld is back again, though only his love of fluffy, white pussycats remains constant. The intense geek of Donald Peasence and the uncouth thug of Telly Savalas are replaced by Charles Gray, who opts to play the part with droll, bemused wit and -- radically -- a full head of hair. Gray never gained iconic stature as Blofeld (that would come later as the Blofeld-like narrator in THE ROCKY HORROR PICTURE SHOW), but for my money he is the best Blofeld, a villain of classy arrogance who is singularly unimpressed by Bond. 10 points.Bond Baddies: Ah yes, Mr. Kidd and Mr. Wint, as played by Putter Smith and Bruce Glover, they are the Chip and Dale of Bond assassins, two more gracious and well-mannered killers would be hard to find. The film has been accused of homophobia for including a pair of gay killers, but considering the sheer number of assassins to cross Bond',s path, it would be more discriminatory to exclude them based on their orientation. Wint and Kidd are at once gay clichés and yet surprisingly non-stereotypical. Nonetheless, they glide (prance? skip?) through the film with cold-blooded assurance and a rather endearing affection. And if they aren',t butch enough, there',s always Bambi and Thumper (Lola Larson and Trina Parks) on hand to beat the tar out of James. 9 points.Plot: Blofeld hopes to corner the diamond market to use them on some sort of outer space laser with which he can -- again -- hold the nations of the world for ransom. Doesn',t this guy ever learn? They even do the "you',ve killed James Bond" bit again. 5 points.Production values: Bond',s globetrotting brings him to the glitz and pseudo-grandeur of Las Vegas in all of its tacky glory. It makes for a nicely surrealistic backdrop, appropriate for the film',s self-mocking attitude -- though a major chase scene is marred by the large number of tourists standing along the route, watching the filming. 7 points.Bonus Points: The Bond producers', love of unorthodox casting pays off with the selection of country singer and sausage maker Jimmy Dean as the reclusive millionaire based on Howard Hughes. It is such a bizarre choice, yet Dean',s country boy charm is a wonderful contrast to both Hughes', nutty behavior and to the bemused sophistication of Bond. 5 points.Summary: DIAMONDS ARE FOREVER is a turning point in the series, the gritty, pseudo-realism of the early films is gone in favor of slick comic book sci-fi gloss. Whatever the series loses in thrills it makes up for in fun. Bond-o-meter Rating: 81 points out of 100.
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Diamonds Are Forever (1971) - Guy Hamilton
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Diamonds Are Forever (1971) - Guy Hamilton
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Diamonds Are Forever (1971) - Guy Hamilton
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Diamonds Are Forever (1971) - Guy Hamilton