Great plot until the denouement As my wife said, at least this creaky, preposterous psychological thriller had a ghost. Other than that, it is an old-fashioned, sane-person-trapped-in-a-mental hospital exercise in sudden noises and shock effects, mostly achieved through lighting and some mild CGI. Berry as a therapist-turned-patient is as good she gets, which isn't really saying much, although she's certainly physical enough as she escapes her confinement not once but twice and runs, jumps and climbs around an old prison facility for the criminally insane, supposedly somewhere in Connecticut (the former Fairfield Hills, anyone? More likely Whiting Forensic, which I suspect doesn't look this gothic). Downey is wasted as her psychiatrist, as is Charles Dutton as her husband, who happens to be the head of the facility. The solution to the mystery of Berry's incarceration results ina climax that is incredibly, stupendously stupid and ruins what comes before, unfortunately. Made by the same folks who gave us the remake of 13 GHOSTS, which ought to give you some idea of how logical the plot is going to be. You may safely skip this one. No breast shots, even though there is a shower scene full of nekkid women, including Berry.