Dancer In The Dark (2000)

You don't need eyes to see.

Original Title : Dancer in the Dark
Director : Lars von Trier
Writer : Lars von Trier
Genre : Musical
Country : Denmark
Language : English
Producer : Malte Forsell , Friðrik Þór Friðriksson , Finn Gjerdrum , Mogens Glad , Anja Grafers , Tony Grob , Torleif Hauge , Peter Aalbæk Jensen , Lars Jönsson , Tero Kaukomaa , Poul Erik Lindeborg , Marianne Slot , Els Vandevorst , Vibeke Windeløv
Music : Björk
Richard Rodgers
Thom Yorke
Photography : Robby Müller
MPAA Rating : Rated R for some violence.
IMDB ID : 0168629
Official site :
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poster for "Dancer In The Dark" by Lars von Trier (2000)
Dancer In The Dark (2000) - Lars von Trier


Björk Selma Jezkova
Catherine Deneuve Kathy
David Morse Bill Houston
Peter Stormare Jeff
Joel Grey Oldrich Novy
Cara Seymour Linda Houston
Vladica Kostic Gene Jezkova
Jean-Marc Barr Norman
Vincent Paterson Samuel
Siobhan Fallon Brenda
Zeljko Ivanek District Attorney
Udo Kier Dr. Porkorny
Jens Albinus Morty
Reathel Bean Judge
Mette Berggreen Receptionist
Lars Michael Dinesen Defense Attorney
Katrine Falkenberg Suzan
Michael Flessas Angry Man
John Randolph Jones Detective
Noah Lazarus Officer of the Court
Sheldon Litt Visitor
Andrew Lucre Clerk of Court
John Martinus Chairman
Luke Reilly New Defense Counsel
T.J. Rizzo Boris
Stellan Skarsgård Doctor
Sean-Michael Smith Person in Doorway
Paprika Steen Woman on Night Shift
Eric Voge Officer
Nick Wolf Man with Hood
Timm Zimmermann Guard rest of cast listed alphabetically
Troels Asmussen Dancer (uncredited
Anders Skovsted (uncredited


Selma has emigrated with her son from east Europe to America. The year is 1964. Selma works day and night to save her son from the same disease she suffers from, a disease that inevitably will make her blind. But Selma has the energy to live because of her secret! She loves musicals. When life feels tough she can pretend that she is in the wonderful world of musicals...just for a short moment. All happiness life is not able to give her she finds there... Selma (Björk) is a Czech immigrant, a single mother working in a factory in rural America. Her salvation is her passion for music, specifically, the all-singing, all-dancing numbers found in classic Hollywood musicals. Selma harbors a sad secret: she is losing her eyesight and her son Gene stands to suffer the same fate if she can't put away enough money to secure him an operation. When a desperate neighbor falsely accuses Selma of stealing his savings, the drama of her life escalates to a tragic finale.


Odd, bleak, but ultimately transfixing musical drama, pop singer Björk immerses herself completely in this tailor-made role. The reviews were extremely black and white for this art-house film.People were either enthralled or bored to tears by the whole experience.There seemed to be no middle ground.Now, that's my kind of movie.Any picture that can reap awards (Cannes Film Festival) and get lambasted by the general public at the same time will always pique my interest.In respect, it was a rich, rewarding odyssey, much easier to get through than, let's say, even half of "8½." My initial respect for the unique, uncompromising style of Danish director Lars von Trier goes back to his compelling work in "Zentropa" and "Breaking the Waves," both bleak, surrealistic studies of man vs. reality.His pieces usually center around some innocent, simple-minded, self-sacrificing soul who inevitably succumbs to the cruelties of life. I found the central role of Selma (as played by the extraordinary Björk) to be very much the emotional equivalent of Emily Watson's touchingly childlike, near-sociopath Bess in "Breaking the Waves" -- blessed and cursed with a naive, soulful purity.Selma represents one of God's little quirks of nature.A bespectacled, pathetically infantile little ragamuffin completely out of touch, Selma has somehow survived like the runt of a litter would - through luck, will power, and the extreme kindness of those around her.An impoverished Czech-born emigré living in a small Northwestern U.S. industrial town during the mid-60s, this luckless creature manages to eek out a meager Airstream-like existence as a factory worker, despite the fact she is legally blind. Selma is, amazingly enough, a mother.Seemingly ill-equipped to care for a child much less herself, she has nevertheless managed to provide for the 12-year-old boy, while nurturing the child as a young girl would her rag doll.The fairly adjusted boy suffers, however, from the same optic disease as the mother, while the crux of the story revolves around her attempts to save up money for his inevitable operation. The fascination of "Dancer in the Dark" lies in Selma's musical world.With her eyesight failing, her ears become the only sense of joy, falling periodically into bouts of fantasy anytime she grabs onto a rhythm or beat (like machine sounds, train engines, etc.), wherein she becomes the star of her own working-class musical production.These compelling sequences become mere extensions of her real-life circumstances, i.e., the musical interludes at work will include the factory itself as a set piece and the other workers as her ensemble.A strange mix of Fellini neo-realism and Busby Berkeley illusion, these daydreams (sparked by Vincent Paterson's inventive choreography and von Trier's purposely puerile lyrics) become her only escape.Björk's odd musical talent and vocal style may be an acquired taste, but she is so mesmerizing here it becomes a non-issue.In addition, there are brief moments of levity as a hopelessly inept community theater production of "The Sound of Music" goes into rehearsals with the very awkward Selma playing Maria. The subordinate cast is equally in tune.The wonderful, beguiling French star Catherine Deneuve downplays her ethereal beauty as Kathy, Selma's co-worker and trusted friend.And a strange, maternalistic friendship it is indeed, for this woman seems to have no other purpose in life than to be this girl's eyes and hands, looking out for her practically day and night.Peter ("Fargo") Stormare shies away from his ruthless killer image with this touching portrayal of a sensitive, almost pitiable boor who only has eyes for the ungainly Selma.David Morse is gripping as a seemingly compassionate but despairing policeman whose one desperate act involving neighbor Selma results in tragedy.Joel Grey has a brief, telling moment near the film's end as a faded musical star idolized by Selma. As in his other featured works, von Trier's gritty, hand-held camera work may be dizzying to the point of distraction at first but its overall impact to the stark proceedings is unquestionable.Moreover, the grueling paces he puts his actresses through to achieve absolute truth borders on misogyny but the rewards are tenfold.As in the case of Emily Watson, Björk has never shined brighter as an artist. A harrowing, refreshingly original piece of filmmaking that should be experienced by anybody who dares to be different.
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Dancer In The Dark (2000) - Lars von Trier
poster for "Dancer In The Dark"
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Dancer In The Dark (2000) - Lars von Trier