Bringing Out the Dead (1999)

Any call can be murder, any stop can be suicide, any night can be the last. And you thought your job was hell?

Original Title : Bringing Out the Dead
Director : Martin Scorsese
Writer : Joe Connelly
Paul Schrader
Genre : Drama
Country : USA
Language : English
Producer : Barbara De Fina , Jeff Levine , Bruce S. Pustin , Joseph P. Reidy , Mark Roybal , Scott Rudin , Adam Schroeder , Eric Steel
Music : Elmer Bernstein
Photography : Robert Richardson
MPAA Rating : Rated R for gritty violent content, drug use and language.
IMDB ID : 0163988
OpenSubtitles.orgSearch Subtitles on
poster for "Bringing Out the Dead" by Martin Scorsese (1999)
Bringing Out the Dead (1999) - Martin Scorsese


┬Nicolas Cage Frank Pierce
┬Patricia Arquette Mary Burke
┬John Goodman Larry Verber
┬Ving Rhames Marcus
┬Tom Sizemore Tom Wall
┬Marc Anthony Noel
┬Mary Beth Hurt Nurse Constance
┬Cliff Curtis Cy Coates
┬Nestor Serrano Dr. Hazmat
┬Aida Turturro Nurse Crupp
┬Sonja Sohn Kanita
┬Cynthia Roman Rose
┬Afemo Omilami Griss
┬Cullen O. Johnson Mr. Burke (as Cullen Oliver Johnson
┬Arthur J. Nascarella Captain Barney
┬Martin Scorsese Dispatcher (voice
┬Julyana Soelistyo Sister Fetus
┬Graciela Lecube Neighbor Woman
┬Marylouise Burke Neighbor Woman
┬Phyllis Somerville Mrs. Burke
┬Mary Diveny Neighbor Woman
┬Tom Riis Farrell John Burke
┬Aleks Shaklin Arguing Russian
┬Leonid Citer Arguing Russian
┬Jesus A. Del Rosario Jr. Man with Bloody Foot
┬Larry Fessenden Cokehead
┬Bernie Friedman Big Feet
┬Theo Kogan Prostitute
┬Fuschia Walker Prostitute
┬John Heffernan Mr. Oh
┬Matthew Maher Mr. Oh's Friend
┬Bronson Dudley Mr. Oh's Friend
┬Marilyn McDonald Mr. Oh's Friend
┬Ed Jupp Jr. Homeless Man in Waiting Room
┬J. Stanford Hoffman Homeless Man in Waiting Room
┬Rita Norona Schrager Concerned Hispanic Aunt
┬Don Berry Naked Man
┬Mtume Gant Street Punk
┬Michael A. Noto Grunt
┬Omar Scroggins Bystander (as Omar Sharif Scroggins
┬muMs da Schemer Voice in Crowd (as muMs
┬Michael K. Williams Drug Dealer (as Michael Kenneth Williams
┬Andrew Davoli Stanley
┬Charlene Hunter Miss Williams
┬Jesse Malin Club Doorman
┬Harper Simon I.B. Bangin' aka Frederick Smith
┬Jon Abrahams Club Bystander
┬Charis Michaelson I.B.'s Girlfriend
┬Lia Yang Dr. Milagros
┬Antone Pagan Arrested Man
┬Melissa Marsala Bridge &
┬Betty Miller Weeping Woman
┬Rosemary Gomez Pregnant Maria
┬Luis Rodriguez Carlos
┬Sylva Kelegian Crackhead
┬Frank Ciornei Dr. Mishra
┬Catrina Ganey Nurse Odette
┬Jennifer Lane Newman Nurse Advisor
┬John Bal Policeman in Hospital
┬Raymond Cassar Policeman in Hospital
┬Tom Cappadona Drunk
┬Jack O'Connell Drunk
┬Randy Foster Drunk
┬Richard Spore Homeless Suicidal
┬James Hanlon Fireman
┬Chris Edwards Fireman
┬Mark Giordano Police Sergeant
┬Michael Mulheren Cop in Elevator
┬David Zayas Cop in Elevator
┬Terry Serpico Cop
┬Brian Smyj Cop
┬Floyd Resnick Cop
┬Megan Leigh Surgeon
┬David Vasquez Screaming Man
┬Judy Reyes ICU Nurse
┬Joseph P. Reidy ICU Nurse (as Joseph Reidy
┬Queen Latifah Dispatcher Love (voice
┬Carolyn Campbell Policewoman (uncredited
┬Joe Connelly Catatonic Patient in brown suede coat (uncredited
┬Bart DeFinna Restaurant Cashier (uncredited
┬Joseph Monroe Webb Drummer (uncredited


An Easter story. Frank is a Manhattan medic, working graveyard in a two-man ambulance team. He's burned out, exhausted, seeing ghosts, especially a young woman he failed to save six months' before, and no longer able to save people: he brings in the dead. We follow him for three nights, each with a different partner: Larry, who thinks about dinner, Marcus, who looks to Jesus, and Tom, who wallops people when work is slow. Frank befriends the daughter of a heart victim he brings in, she's Mary, an ex-junkie, angry at her father but now hoping he'll live. Frank tries to get fired, tries to quit, and keeps coming back, to work and to Mary, in need of his own rebirth.


IS a masterpiece (SPOILERS) Martin Scorsese is arguably the best living American filmmaker, and perhaps the best living filmmaker period (who is still making films, i.e., not counting Ingmar Bergman). He has made three bona fide masterpieces, Taxi Driver, Raging Bull, and Goodfellas. Mean Streets is also often included in this list. Let's just say that if you were to argue against any of those films, you'd better have a brilliant argument prepared. Has he ever made a film that was universally regarded as bad? Possibly. Boxcar Bertha, which is not even available on video (although it has been), is usually considered to lack in quality. Scorsese himself called it his exploitation flick. Often The Color of Money is given low status, but not always. The rest of his films are hotly debated, usually. Bringing Out the Dead is one of these films. A majority may like it, but, among those who like it, not many of them like it a lot. Well, I would like to stand up as one of the very few who think that this film is one of Scorsese's masterpieces. In fact, I've always been flabberghasted that so many people find it so average or, even worse, bad. In my opinion, it is his 4th best film, after the three "bona fide" masterpieces listed above. I could never figure out what people are missing (or what extra material I am seeing). Perhaps it is this: the other three bona fide masterpieces together with all of his films basically remain within the confines of the classical style of filmmaking. That is, the plots, editing, cinematography and other technical aspects of his other films do not stray far from the techniques established by D.W. Griffith. That is not to say that Scorsese doesn't stray. He goes against the rules more than most American filmmakers. But in this country, we just don't allow for much experimentation. Bringing Out the Dead does experiment quite a bit more than Scorsese's other films. Its editing and cinematography seem crazy to many viewers. To tell the truth, this style of wacky cutting and odd angles is not too uncommon in American film. Most people are familiar with it from MTV. What does strike American viewers as odd is the plot. WHAT PLOT? some people will gasp. A lot of critics claimed that Bringing Out the Dead was a plotless mess. This upsets me, since professional critics should know this basic rule: the plot of a film is not a very important element. The plot is somewhat simplified here: a paramedic is going through a difficult slump in his work. Parallel to this is the man who has had a heart attack while his family sits and waits. These two stories intertwine. The film's structure is actually brilliant: the man who had a heart attack is forced to cling to life for three days while his savior is plummeting into depression and existential angst. This angst can only end when the man, whose condition is incredibly unstable, dies. The logic is metaphysical, which is something Americans tend not to understand. This film is not about realism. Everything is exaggerated. It is really a sensory overload for some. And then we get to the characters. NOT WELL DEVELOPED! people will yell. It's absolutely not true. What may be said is that there really are only two characters, played by Nick Cage and Patricia Arquette. There are other interesting, but somewhat less developed, characters, such as Noel and the three co-paramedics. The main focus is Cage and Arquette, though. They are marvellously written. I think that the mistake is often made that Cage's character is one dimensional. This is because Cage is so wrapped up in his job, really he and the job become a single entity. This happens to anyone who has a job. It only happens that Cage's work is much more demanding, and it is thus taking over his soul. Arquette receives more background information. She comes off as a very human protagonist. None of the events in her life are so much different from any normal person's life. These two characters connect through their own desperations. All in all, the film is tremendously effective. Maybe Roger Ebert was right about this film's reception: it failed because people are far too cynical in this day and age, where Scorsese is more of an idealist.
poster for "Bringing Out the Dead"
716 x 1011
Bringing Out the Dead (1999) - Martin Scorsese
poster for "Bringing Out the Dead"
716 x 1011
Bringing Out the Dead (1999) - Martin Scorsese
poster for "Bringing Out the Dead"
481 x 700
Bringing Out the Dead (1999) - Martin Scorsese